譯者序
編輯推薦
前言
“大師鏡頭系列”典藏版說明
怎樣使用本書
書中圖片的說明
目　錄
第一章 打斗鏡頭
1.1 長(zhǎng)焦特效......................................................2
1.2 一記重拳......................................................4
1.3 緊跟演員拍攝...............................................6
1.4 打倒在地......................................................8
1.5 分別拍攝角色.............................................10
1.6 近地仰拍....................................................12
1.7 含蓄的暴力 ................................................14
1.8 勝利瞬間....................................................16
第二章 追逐鏡頭
2.1 緊跟被追蹤者.............................................20
2.2 長(zhǎng)焦搖拍....................................................22
2.3 狹窄空間中追逐 .........................................24
2.4 寬闊空間中追逐 .........................................26
2.5 制造驚恐....................................................28
2.6 看不見的追蹤者 .........................................30
2.7 突然襲擊....................................................32
2.8 神出鬼沒....................................................34
2.9 千鈞一發(fā)....................................................36
2.10 追蹤的腳步 ..............................................38
第三章 角色登場(chǎng)和退場(chǎng)
3.1 焦點(diǎn)轉(zhuǎn)換................................................... 42
3.2 從背景中突然現(xiàn)身......................................44
3.3 華麗轉(zhuǎn)身....................................................46
3.4 靜靜現(xiàn)身....................................................48
3.5 關(guān)窗 ...........................................................50
3.6 場(chǎng)景無縫轉(zhuǎn)換.............................................52
3.7 搖拍中漸行漸遠(yuǎn) .........................................54
3.8 轉(zhuǎn)變演員行走方向......................................56
第四章 懸疑、搜索與潛伏
4.1 輕微后退................................................... 60
4.2 未知之懼....................................................62
4.3 緊張期待....................................................64
4.4 空無之懼....................................................66
4.5 放大空間....................................................68
4.6 兩個(gè)場(chǎng)景同時(shí)進(jìn)行......................................70
4.7 尋找線索....................................................72
4.8 靜中生疑....................................................74
4.9 危險(xiǎn)逼近....................................................76
第五章 情節(jié)變化
5.1 鏡頭推近................................................... 80
5.2 戲劇性的一刻.............................................82
5.3 搖拍加移步 ................................................84
5.4 背景移動(dòng)....................................................86
5.5 圍繞角色拍攝.............................................88
5.6 人機(jī)同時(shí)轉(zhuǎn)向.............................................90
5.7 無法逃脫....................................................92
5.8 突出靜態(tài)....................................................94
5.9 運(yùn)用移動(dòng)道具.............................................96
第六章 現(xiàn)身和發(fā)現(xiàn)
6.1 利用鏡面門.............................................. 100
6.2 拉開帷幕..................................................102
6.3 鶴立雞群..................................................104
6.4 走出陰影..................................................106
6.5 慢速呈現(xiàn)..................................................108
6.6 平行拍攝..................................................110
6.7 前進(jìn)受阻..................................................112
6.8 目光轉(zhuǎn)移..................................................114
6.9 目光掃視..................................................116
第七章 驚懼鏡頭
7.1 營(yíng)造緊張氣氛.......................................... 120
7.2 誤導(dǎo)的震驚 ..............................................122
7.3 嚇人的角色 ..............................................124
7.4 恐懼之地..................................................126
7.5 空曠空間..................................................128
7.6 視覺驚嚇..................................................130
7.7 無路可逃..................................................132
7.8 出其不意..................................................134
7.9 窗外的臉..................................................136
第八章 引導(dǎo)注意力
8.1 線索物..................................................... 140
8.2 人物交替..................................................142
8.3 掉頭 .........................................................144
8.4 反射 .........................................................146
8.5 停下腳步..................................................148
8.6 奪目色彩..................................................150
8.7 變換演員位置...........................................152
第九章 車內(nèi)場(chǎng)景
9.1 前座視角拍攝.......................................... 156
9.2 后座視角拍攝...........................................158
9.3 車內(nèi)對(duì)話..................................................160
9.4 車靜止時(shí)拍攝...........................................162
9.5 下車離開..................................................164
9.6 邊走邊談..................................................166
9.7 透過車窗拍攝...........................................168
第十章 對(duì)話場(chǎng)景
10.1 推近拍攝對(duì)話........................................ 172
10.2 背景逐漸淡出.........................................174
10.3 分享鏡頭................................................176
10.4 肩并肩....................................................178
10.5 不同高度................................................180
10.6 互瞥 .......................................................182
10.7 鏡中對(duì)話................................................184
10.8 邊走邊談................................................186
第十一章 爭(zhēng)執(zhí)和沖突
11.1 繞圈 ...................................................... 190
11.2 鏡頭襲來................................................192
11.3 防衛(wèi)的鏡頭 ............................................194
11.4 撲向鏡頭................................................196
11.5 沖動(dòng)之舉................................................198
11.6 肢體語(yǔ)言對(duì)抗.........................................200
11.7 邊走邊吵................................................202
11.8 十字交叉................................................204
第十二章 愛情與激情場(chǎng)景
12.1 眼神交流............................................... 208
12.2 拍攝初吻................................................210
12.3 親吻的角度 ............................................212
12.4 浪漫躺上床 ............................................214
12.5 只拍面部................................................216
12.6 仰起臉....................................................218
12.7 纏綿之刻................................................220
12.8 細(xì)節(jié)取勝................................................222
結(jié)語(yǔ) .................................................................225