現(xiàn)代英國(guó)文學(xué)大家(第二版)(英文版)
定 價(jià):69 元
- 作者:朱望
- 出版時(shí)間:2022/9/1
- ISBN:9787301333648
- 出 版 社:北京大學(xué)出版社
- 中圖法分類:K835.615.6
- 頁(yè)碼:280
- 紙張:
- 版次:2
- 開(kāi)本:16開(kāi)
本教材涵蓋20世紀(jì)最有代表性的優(yōu)秀英國(guó)文學(xué)家:J.康拉德、E.M.福斯特、K.曼斯菲爾德、W.葉芝、T.S.艾略特、D.H.勞倫斯、J.喬伊斯、V.伍爾夫、A. 赫胥黎、S.貝克特和W.戈?duì)柖。渲杏行≌f(shuō)家、短篇小說(shuō)家、詩(shī)人和劇作家,四位諾貝爾文學(xué)獎(jiǎng)獲得者。教材每篇課文包括作家的“生平”“創(chuàng)作時(shí)期及主要作品”“思想觀點(diǎn)”“美學(xué)原則和創(chuàng)作手法”“選讀”(1篇文學(xué)代表作和1篇文論)和“思考題”六部分,概括作家的生活哲學(xué)、政治觀、道德觀、美學(xué)觀、創(chuàng)作手法和藝術(shù)風(fēng)格,結(jié)合宏觀歷史語(yǔ)境研究和微觀文學(xué)文本分析,探究各個(gè)作家批判現(xiàn)代工業(yè)異化效應(yīng)、質(zhì)疑殖民主義、張揚(yáng)女性主義,深思傳統(tǒng)與現(xiàn)代性、歷史與現(xiàn)代文明、東方與西方?jīng)_突等多方面的現(xiàn)代主義和后現(xiàn)代主義文學(xué)主題意義,分析文學(xué)作品中蘊(yùn)涵的象征主義、反傳統(tǒng)敘事、意識(shí)流、荒誕派藝術(shù)等創(chuàng)新美學(xué)觀, 系統(tǒng)闡釋20世紀(jì)英國(guó)文學(xué)豐富的思想價(jià)值和藝術(shù)性。
朱望
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朱望,汕頭大學(xué)文學(xué)院外國(guó)語(yǔ)言文學(xué)系教授,兩次赴美國(guó)、一次赴英國(guó)作英國(guó)文學(xué)和西方文化研究項(xiàng)目(國(guó)家項(xiàng)目一個(gè))。從1996年至今發(fā)表現(xiàn)代英國(guó)文學(xué)論文多篇,如《論T.S論艾略特的文化保守主義》《文學(xué)與文化之間:〈論印度之行〉跨文化的多重意義》《論喬伊斯〈一個(gè)青年藝術(shù)家的畫像〉中的社會(huì)化意義》等(刊于《外國(guó)文學(xué)研究》《國(guó)外文學(xué)》《外國(guó)文學(xué)》《英美文學(xué)研究論叢》《解放軍外語(yǔ)學(xué)院學(xué)報(bào)》等期刊)。著有《現(xiàn)代英國(guó)文學(xué)大家》和《現(xiàn)當(dāng)代西方文化名家》,形成了文學(xué)與文化相輔相成的配套英文教材。 教授現(xiàn)代英國(guó)文學(xué)20年(汕大教學(xué)無(wú)記名評(píng)估每位學(xué)期97—99分,名列全校第一/校平均分88);任碩士導(dǎo)師12年;完成汕頭大學(xué)的“20世紀(jì)英國(guó)文學(xué)”精品課程建設(shè)項(xiàng)目,本教材就是項(xiàng)目建設(shè)的主要內(nèi)容;獲云南省“優(yōu)秀教師”稱號(hào),多次獲云南大學(xué)校級(jí)、省級(jí)和汕頭大學(xué)校級(jí)優(yōu)秀獎(jiǎng),并獲得“李嘉誠(chéng)基金會(huì)卓越教師獎(jiǎng)”。
CONTENTS
Lesson One Historical Context ……………………………………………………1
1 The First Half of the Twentieth Century …………………………………1
2 The Second Half of the Twentieth Century………………………………6
3 Study Questions……………………………………………………………8
Lesson Two Joseph Conrad …………………………………………………… 9
1 Life…………………………………………………………………………9
2 Literary Career and Major Writings………………………………………11
3 Attitudes and Views………………………………………………………13
4 Aesthetic Principles and Writing Techniques………………………………19
5 Selected Readings…………………………………………………………22
Heart of Darkness / “Preface to The Nigger of the ‘Narcissus’”
6 Study Questions……………………………………………………………33
Lesson Three E. M. Forster……………………………………………………34
1 Life…………………………………………………………………………34
2 Literary Career and Major Writings………………………………………36
3 Attitudes and Views………………………………………………………39
4 Aesthetic Principles and Writing Techniques………………………………44
5 Commentary………………………………………………………………47
A Passage to India / Aspects of the Novel
6 Study Questions ……………………………………………………………54
Lesson Four Katherine Mansfield……………………………………………55
1 Life…………………………………………………………………………55
2 Literary Career and Major Writings………………………………………57
3 Attitudes and Views………………………………………………………57
4 Aesthetic Principles and Writing Techniques………………………………60
5 Selected Readings…………………………………………………………64
“The Garden Party” / “Seriousness in Art”
6 Study Questions…………………………………………………………… 78
Lesson Five William Butler Yeats……………………………………………… 79
1 Life………………………………………………………………………… 79
2 Literary Career and Major Writings… …………………………………… 81
3 Attitudes and Views… …………………………………………………… 82
4 Aesthetic Principles and Writing Techniques……………………………… 85
5 Selected Readings… ……………………………………………………… 90
“The Lake Isle of Innisfree” / “Easter, 1916” / “Sailing to Byzantium” /
“Ireland and the Arts”
6 Study Questions…………………………………………………………… 99
Lesson Six D. H. Lawrence… ……………………………………………… 100
1 Life……………………………………………………………………… 100
2 Literary Career and Major Writings… ………………………………… 102
3 Attitudes and Views… ………………………………………………… 105
4 Aesthetic Principles and Writing Techniques…………………………… 109
5 Selected Readings… …………………………………………………… 112
The Rainbow / “Nottingham and the Mining Country”
6 Study Questions………………………………………………………… 124
Lesson Seven T. S. Eliot … ………………………………………………… 125
1 Life……………………………………………………………………… 125
2 Literary Career and Major Writings… ………………………………… 127
3 Attitudes and Views… ………………………………………………… 129
4 Aesthetic Principles and Writing Techniques…………………………… 135
5 Commentary… ………………………………………………………… 138
The Love Song of J. Alfred Prufrock / The Waste Land / “Tradition and
the Individual Talent”
6 Study Questions………………………………………………………… 147
Lesson Eight James Joyce…………………………………………………… 148
1 Life……………………………………………………………………… 148
2 Literary Career and Major Works… …………………………………… 150
3 Attitudes and Views… ………………………………………………… 152
4 Aesthetic Principles and Writing Techniques … ……………………… 155
5 Selected Readings… …………………………………………………… 161
A Portrait of the Artist as a Young Man / Joyce’s Letter to Grant
Richards, May 5, 1906
6 Study Questions…………………………………………………………173
Lesson Nine Virginia Woolf…………………………………………………174
1 Life………………………………………………………………………174
2 Literary Career and Major Works………………………………………175
3 Attitudes and Views……………………………………………………178
4 Aesthetic Principles and Writing Techniques……………………………183
5 Selected Readings………………………………………………………187
Mrs. Dalloway / “Modern Fiction”
6 Study Questions…………………………………………………………200
Lesson Ten Aldous Huxley…………………………………………………201
1 Life………………………………………………………………………201
2 Literary Career and Major Works………………………………………203
3 Attitudes and Views……………………………………………………205
4 Aesthetic Principles and Writing Techniques……………………………210
5 Commentary……………………………………………………………213
Brave New World / “Science and Civilization”
6 Study Questions…………………………………………………………221
Lesson Eleven Samuel Beckett………………………………………………222
1 Life………………………………………………………………………222
2 Literary Career and Major Writings……………………………………223
3 Attitudes and Views……………………………………………………224
4 Aesthetic Principles and Writing Techniques……………………………229
5 Commentary ……………………………………………………………234
Waiting for Godot / “Proust and Three Dialogues with Georges Duthuit”
6 Study Questions…………………………………………………………238
Lesson Twelve William Golding……………………………………………239
1 Life………………………………………………………………………239
2 Literary Career and Major Writings……………………………………240
3 Attitudes and Views……………………………………………………241
4 Aesthetic Principles and Writing Techniques……………………………247
5 Commentary……………………………………………………………249
Lord of the Flies / “Fable,” “Utopias and Antiutopias,” “Belief and Creativity”
6 Study Questions………………………………………………………… 256
Appendices
1 The Sources of the Quotations in the Lectures… ……………………… 257
2 The Other Writers during the Same Period… ………………………… 261
3 A Suggested Course Schedule… ……………………………………… 267
后 記………………………………………………………………………… 268