卡羅爾·安·達(dá)菲詩(shī)歌女性主義研究
定 價(jià):28 元
- 作者:周潔 著
- 出版時(shí)間:2013/11/1
- ISBN:9787561548370
- 出 版 社:廈門大學(xué)出版社
- 中圖法分類:I561.072
- 頁(yè)碼:201
- 紙張:膠版紙
- 版次:1
- 開本:大32開
周潔對(duì)達(dá)菲詩(shī)歌作品的分析并不感到困難。在論文寫作中,她遇到的最大困難是對(duì)女性主義理論的全面把握。但是,經(jīng)過(guò)大量的閱讀,她不但進(jìn)一步豐富了理論知識(shí),而且對(duì)達(dá)菲詩(shī)歌的女性主義研究也不斷深化。首先,論文對(duì)安達(dá)菲詩(shī)歌中男權(quán)對(duì)女性的壓迫、女性意識(shí)的覺醒乃至對(duì)男權(quán)的顛覆都加以深刻闡述。其次,論文對(duì)詩(shī)人的女同性戀詩(shī)歌進(jìn)行了認(rèn)真的解讀,從中發(fā)現(xiàn)達(dá)菲應(yīng)用女同性戀女性主義思想對(duì)女性身份的探索;論文對(duì)女性身份的研究還涉及母女關(guān)系、母親身份和現(xiàn)代社會(huì)的女性身份。此外,論文還對(duì)達(dá)菲的詩(shī)歌進(jìn)行了生態(tài)女性主義研究,探討了詩(shī)人對(duì)社會(huì)邊緣人群、對(duì)大自然和動(dòng)物的保護(hù)意識(shí)和平等意識(shí)。最后,論文對(duì)達(dá)菲詩(shī)歌中的戲劇獨(dú)白詩(shī)歌形式、后現(xiàn)代主義戲仿和詩(shī)歌語(yǔ)言藝術(shù)進(jìn)行了女性主義分析。
周潔,女,教授,碩士生導(dǎo)師,博士。教育部學(xué)位中心優(yōu)秀碩士論文通訊評(píng)審專家;中國(guó)文體學(xué)研究會(huì)理事;山東省外國(guó)文學(xué)學(xué)會(huì)理事。山東省精品課程“英美文學(xué)”負(fù)責(zé)人。研究方向:英美文學(xué)與文化及英語(yǔ)教學(xué)。1989年畢業(yè)于曲阜師范大學(xué)外語(yǔ)系,獲文學(xué)學(xué)士學(xué)位;1992年畢業(yè)于山東大學(xué)外國(guó)語(yǔ)學(xué)院,獲文學(xué)碩士學(xué)位;2002-2003年英國(guó)諾丁漢大學(xué)訪問(wèn)學(xué)者;2010-2012學(xué)年同濟(jì)大學(xué)訪問(wèn)學(xué)者;2012年畢業(yè)于上海外國(guó)語(yǔ)大學(xué),獲得文學(xué)博士學(xué)位。
先后承擔(dān)課程:英語(yǔ)專業(yè)研究生英語(yǔ)文體學(xué)、話語(yǔ)分析;英語(yǔ)專業(yè)本科生精讀、口語(yǔ)、英美文學(xué);全校公選課英美文學(xué)賞析、跨文化交際、英語(yǔ)詩(shī)歌、商務(wù)英語(yǔ)等。
在SEDA Special, D.H.Lawrence Society Newsletter,《外語(yǔ)電化教學(xué)》、《外語(yǔ)教學(xué)》《山東社會(huì)科學(xué)》《浙江外國(guó)語(yǔ)學(xué)院學(xué)報(bào)》、《英語(yǔ)學(xué)習(xí)》等國(guó)內(nèi)外專業(yè)期刊發(fā)表論文幾十篇。參編教材20余部:獨(dú)立注釋莎士比亞經(jīng)典劇作《麥克白》;擔(dān)任《英漢對(duì)照描寫辭典》副主編,F(xiàn)主持教育部人文社科項(xiàng)目“達(dá)菲詩(shī)歌女性主義研究”;主持完成教育廳項(xiàng)目2項(xiàng)、校級(jí)科研項(xiàng)目3項(xiàng);參與完成山東省社科規(guī)劃辦項(xiàng)目3項(xiàng)、省級(jí)教改項(xiàng)目1項(xiàng)、中英合作科研項(xiàng)目1項(xiàng)。
曾獲山東省高等學(xué)校優(yōu)秀科研成果獎(jiǎng)和山證獎(jiǎng)教金,多次被評(píng)為優(yōu)秀教師。
Acknowledgements
前言
Introduction
Chapter One Female Revolt Against Patriarchy in Duffy's Poetry
1. 1 The Exposure of Patriarchy
1. 2 The Subversion of Patriarchy
1. 3 The Complexity of the Subversion of Patriarchy
Chapter Two Female Identity in Duffy's Poetry
2. 1 Female Identity in Lesbians
2. 2 Female Identity in Motherhood
2. 3 Female Identity in Mother-Daughter Relationships
2.4 Reconstruction of Female Identity in Modern Life
Chapter Three Eco-feminist Consciousness in Duffy's Poetry Acknowledgements
前言
Introduction
Chapter One Female Revolt Against Patriarchy in Duffy's Poetry
1. 1 The Exposure of Patriarchy
1. 2 The Subversion of Patriarchy
1. 3 The Complexity of the Subversion of Patriarchy
Chapter Two Female Identity in Duffy's Poetry
2. 1 Female Identity in Lesbians
2. 2 Female Identity in Motherhood
2. 3 Female Identity in Mother-Daughter Relationships
2.4 Reconstruction of Female Identity in Modern Life
Chapter Three Eco-feminist Consciousness in Duffy's Poetry
3. 1 The Exposure of Racism and Nationalism
3.2 The Exposure of Colonialism and Militarism
3.3 Sympathy for People Underprivileged in Class and Age
3.4 Love for Nature
3.5 Criticism of Speciesism
Chapter Four Ferninist Poetic Art in Duffy's Poetry
4. 1 Use of Dramatic Monologue for Feminist Ends
4.2 Postmodern Feminist Parody of Classical Works
4. 3 Duffy's Use of Language
Conclusion
Bibliography
Online Sources
后記
second section discusses Duffy's exposure of colonialism and militarism as a call for equality and peace. The third section is about Duffy's sympathy for those people underprivileged in class and age, as a call for equality among people from different social classes and at different ages. The fourth section discusses Duffy's sympathy for nature, which has been over-exploited to the edge of destruction, but marginalized and silenced by human beings. These poems warn people of their responsibility to protect, respect and love nature instead of making abusive use of it. The fifth section discusses Duffy's criticism of speciesism, in which animals have been hunted, killed, eaten or trained to make profit until death for human beings, but can not speak about their misery. As eco-feminism considers all kinds of oppression as issues for feminists, this chapter, together with the analysis of Duffy's concern of the oppression of man over woman, proves that Duffy is of eco-feminist consciousness.
Chapter Four will mainly focus on Duffy's writing art from the feminist point of view by analyzing her use of dramatic monologue, postmodern feminist parody and her use of language for feminist ends. This chapter mainly serves as a generalization of the most important features found in her writing.
Based on the analysis in the four chapters, the book will sum up the main findings in the Conclusion. First of all, it is found that Duffy has been influenced by the second wave feminist activists, being able to find patriarchy as the cause for women's oppression, to find ways in wliich women subvert patriarchy, and realize the complexity of the relationship between men and women. Secondly, as a lesbian, a mother, and a daughter, Duffy is able to discover women's identity in lesbians, mothers, and mother-daughter relationships. Thirdly, Duffy has shown eco-feminist awareness in her poetry.
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