前言 在我的印象里，相較于其他作圖方式，手繪具有非常強(qiáng)烈的圖面感染力，空間的溫度、生命的氣息都可以用它捕捉到，它與設(shè)計(jì)者有情感對(duì)話；從筆觸、色彩、圖面張力，可梳理出設(shè)計(jì)者對(duì)空間的思維活動(dòng)，從這個(gè)脈絡(luò)中看到設(shè)計(jì)者的專(zhuān)業(yè)素養(yǎng)與態(tài)度。在從事多年的景觀教育與實(shí)務(wù)生涯中，我看過(guò)許許多多的圖面，手繪在每一次項(xiàng)目方案的探索過(guò)程中都是極具魅力和生命力的，是發(fā)人深思的，是一張圖，又好像不只是一張圖，創(chuàng)作者腦海中有意思的想法可淋漓盡致地在圖面推展開(kāi)來(lái)；借由觀看圖面，不在現(xiàn)場(chǎng)，猶在現(xiàn)場(chǎng)，仿佛與創(chuàng)作者、與基地展開(kāi)了設(shè)計(jì)交流，那是非常有趣的一件事。 不僅如此，通過(guò)手繪媒介，在教育現(xiàn)場(chǎng)可以自由地展開(kāi)設(shè)計(jì)對(duì)話，讓思維碰撞，讓問(wèn)題在這里解決，讓創(chuàng)意在這里產(chǎn)出與實(shí)踐。手繪不只是一個(gè)表現(xiàn)技法工具，景觀設(shè)計(jì)的要義是學(xué)會(huì)如何發(fā)現(xiàn)問(wèn)題、解決問(wèn)題。在專(zhuān)業(yè)學(xué)習(xí)訓(xùn)練過(guò)程當(dāng)中，手繪表現(xiàn)就是能帶來(lái)強(qiáng)大推動(dòng)力和影響力的作圖方式之一。 我們從大師巨匠的經(jīng)典案例中就能發(fā)現(xiàn)，在他們的原始手稿中，大多是嚴(yán)謹(jǐn)?shù)倪壿嬐评砗图?xì)膩的細(xì)節(jié)表達(dá)。當(dāng)今參數(shù)化設(shè)計(jì)軟件興起，許多基本圖像可信手拈來(lái)以剪裁、拼貼，更多流行圖面表現(xiàn)形式不斷涌現(xiàn)。手繪表現(xiàn)技法需要長(zhǎng)時(shí)間的積累，無(wú)法復(fù)制貼上，但當(dāng)我們?cè)诮虒W(xué)、與業(yè)主等對(duì)話的現(xiàn)場(chǎng)，有一支筆、一張紙，方案即可躍然紙上。對(duì)我來(lái)說(shuō)，手繪時(shí)，在不斷推敲過(guò)程中，我們對(duì)現(xiàn)場(chǎng)空間人的理解會(huì)更加深入與細(xì)致，方案也會(huì)更加成熟。學(xué)生邁入職場(chǎng)，如果能在一定的場(chǎng)合下，相對(duì)快速地手繪出一個(gè)形式感不錯(cuò)的草圖設(shè)計(jì)方案，那么相信他會(huì)更容易獲得專(zhuān)業(yè)認(rèn)可，這也是電腦軟件所無(wú)法比擬的特殊優(yōu)質(zhì)能力。 認(rèn)識(shí)閆超多年，當(dāng)時(shí)她是碩士交換生，一次我在系上老師辦公室看到一幅手繪作品，驚艷不已，后來(lái)又陸續(xù)看到她的作品，可以肯定她擁有很強(qiáng)的手繪表現(xiàn)和文字表達(dá)能力。她師承閆杰老師，這本書(shū)是他們二人參與合作編寫(xiě)的教材。從書(shū)中手繪原稿圖都可以看出作者的創(chuàng)作思想和藝術(shù)審美及設(shè)計(jì)專(zhuān)業(yè)的表現(xiàn)。對(duì)于初學(xué)手繪的學(xué)生和愛(ài)好手繪這門(mén)技法的人來(lái)說(shuō)，這些是極好的學(xué)習(xí)范本。雖然數(shù)位設(shè)計(jì)應(yīng)用在景觀、建筑等各個(gè)領(lǐng)域都十分專(zhuān)精活絡(luò)，但我還是非常希望每一位學(xué)習(xí)設(shè)計(jì)的學(xué)生都能掌握優(yōu)秀的手繪表達(dá)能力。如果你想在設(shè)計(jì)中看到更多的可能與想象，那么《景觀與室內(nèi)手繪設(shè)計(jì)表現(xiàn)》是很值得你參考學(xué)習(xí)的。 東海大學(xué)景觀學(xué)系教授兼主任 2021年6月This is a preface in favor of Yan Chaos writing achievements, a dedicated master degree student from Suzhou University who I first met in Suzhou, China in the IDEA�睰ING Awards 2015 in my capacity as Vice President of the International Landscape Design Industry Association (ILIA) and member of the jury of the awards given that year.That year I handled Yan Chao an award for a distinguished project she participated in, furthermore, she was very kind to help me during the entire event we organized with ILIA. After I met her, she kept in contact with me, asking for advice and interested on discussing design topics, which is not common in China. Her interest in design is very clear and her skills to develop drawings are outstanding. It helps her very much the more than 3 years of experience she has had in the professional field.Almost 6 years have passed in the blink of an eye. Since she entered the education industry after graduation,she proved her love for design with actions. Remembering that we have been kept in touch via WeChat, she shares with me her hand�瞤ainted design,and she also sends me the manuscripts drawn by her and asks for suggestions. This is extremely impressive for me. I think the graduate study career has made her more aware of the meaning of design. Sometimes looking at the manuscripts she sent me, I find them difficult. Now that computers are popular today, I can still maintain my love for hand�瞤ainted design. It is worth applauding for her. It is very important for people who are engaged in landscape design to develop the good habit of hand�瞤ainted design. We say that hand�瞤ainting has a strong driving force for solving design problems. At the same time, it is easier to win the trust of the other party by conveying the design concept to the first party by hand�瞤ainting.Recently she has shared her experience in teaching for several years, and organized the hand�瞤ainted performance into a book according to the difficulties of students learning. Although she worked with many teachers and corporate staff to complete it, Im still happy to support it. The book is about to be published, therefore, I was invited to write a preface for her. She deserves an opportunity because I believe her thinking is very good. If this book can be published, more people who love hand�瞤ainting will benefit a lot. Furthermore, it is also a kind of experience output and public sharing.Yan Chao is also a disciplined person, polite to her classmates, colleagues and teachers. She has a kind character and strong commitment towards the assignments given to her as I have witnessed in the organization of the ILIA IDEA�睰ING Awards in Suzhou.Therefore, I am happy to give my full support for Yan Chaos publication of this hand�瞕rawing textbook. I believe that Yan Chao is serious and meticulous about her profession. As I witnessed at the ILIA ceremony in Suzhou, she has a kind personality and a firm commitment to the tasks assigned to her. I also believe that the publication of this book can help more people who love hand�瞤ainting and design like her.Yours Sincerely,Alex CamprubiDesign Director of PuBang Design Institute & Vice President of International Landscape Design Industry AssociationGuangzhou, August 28, 2021