雕漆是把天然漆料在胎上涂抹出一定厚度,再用刀在堆起的平面漆胎上雕刻花紋的技法。雕漆工藝是中國漆工藝的一個重要門類,也是北京傳統(tǒng)工藝美術的精華之一。它體現(xiàn)了我國工藝美術家的高超技藝和聰明才智,是中華民族傳統(tǒng)工藝的瑰寶。雕漆與景泰藍、象牙雕刻、玉雕齊名,被譽為京城工藝“四大名旦”之一。
Introduction o fWen Qiangang
Chapter One The History and Culture of Carved Lacquerware
Section 1:All I Know about the History of Carved Lacquerware
Section 2:Colorful Patterns of Carved Lacquerware
Summary
Chapter Two MyFated Relationship with Carved Lacquerware
Section 1:The Journey of My Artistic Career
Section 2:My Masters
Section 3:My Life at the Beijing Carved Lacquerware Factory
Summary
Chapter Three Features and Methods of the Crart of Carved Lacquerware
Section 1:One Cut to Perfection
Section 2:The Design Is the Soul
Section 3:The Production Process of Carved Lacquerware
Summary
Chapter Four My Studio hoo
Section 1:My Studio
Section 2:The Master Craftsmen in My Studio
Section 3:My Apprentices
Summary
Chapter Five My Works
About My Works
Summary
Chapter Six The Future of Carved Lacquerware
Section 1:Current Views on Carved Lacquerware
Section 2:I Reflect on the Future of Carved Lacquerware with My Artworks
Section 3:Beijing Intangible Cultural Heritage Genter Recruiting Apprenticcs for My Studio
Summary
Appendix A Chronological Record of Wen Qiangang's Art Life