內(nèi)容主要包括剪紙的發(fā)展歷史、剪紙的文化內(nèi)涵、剪紙的地域風(fēng)格、剪紙的表現(xiàn)手法、剪紙的制作技藝、民間傳統(tǒng)剪紙紋樣、剪紙創(chuàng)作作品賞析七個(gè)部分。民間剪紙是我國(guó)民族傳統(tǒng)文化的重要組成部分，傳承和發(fā)展民間剪紙對(duì)保持本土文化特色有重要的作用。本書(shū)理論與實(shí)踐相結(jié)合，通過(guò)理論學(xué)習(xí)加強(qiáng)學(xué)生對(duì)傳統(tǒng)文化的認(rèn)知，通過(guò)實(shí)踐操作指導(dǎo)學(xué)生掌握剪紙技藝，通俗易懂，具有較強(qiáng)的針對(duì)性和實(shí)際應(yīng)用價(jià)值和實(shí)踐推廣價(jià)值。
曹國(guó)洪，男，重慶文理學(xué)院美術(shù)與設(shè)計(jì)學(xué)院教師，教學(xué)辦公室主任，副教授，中國(guó)美術(shù)家協(xié)會(huì)會(huì)員。主要從事美術(shù)創(chuàng)作、美術(shù)教學(xué)與美術(shù)理論研究工作。16件作品在全國(guó)美展及省市美展中參展與獲獎(jiǎng)，26件作品發(fā)表在《美術(shù)觀察》、《文藝研究》、《藝術(shù)百家》等專業(yè)期刊中，18篇論文發(fā)表在《美術(shù)觀察》、《民族藝術(shù)研究》等專業(yè)期刊中，主持主研教改項(xiàng)目8項(xiàng)，主持主研科研項(xiàng)目6項(xiàng)。
第一章 剪紙的發(fā)展歷史······································································································· 1
第二章 剪紙的文化內(nèi)涵······································································································· 5
一、原始巫術(shù)和圖騰崇拜文化································································································ 5
二、生殖繁衍和陰陽(yáng)哲學(xué)文化······························································································ 10
三、驅(qū)邪壓勝（厭勝）和吉祥瑞福文化················································································· 14
第三章 剪紙的地域風(fēng)格····································································································· 24
一、東北地區(qū)的剪紙··········································································································· 24
二、華北地區(qū)的剪紙··········································································································· 27
三、西北地區(qū)的剪紙··········································································································· 29
四、西南地區(qū)的剪紙··········································································································· 32
五、東南地區(qū)的剪紙··········································································································· 35
第四章 剪紙的表現(xiàn)手法····································································································· 38
一、紋樣的黑白比重··········································································································· 38
二、畫(huà)面的色彩關(guān)系··········································································································· 41
三、紋樣的組織方法··········································································································· 44
第五章 剪紙的制作技藝····································································································· 50
一、剪紙的材料與工具········································································································ 50
二、剪紙的制作工藝··········································································································· 52
第六章 民間傳統(tǒng)剪紙紋樣·································································································· 56
一、生命樹(shù)························································································································ 56
二、喜 花························································································································· 59
三、抓髻娃娃····················································································································· 63
四、門 箋························································································································· 67
第七章 學(xué)生剪紙作品選····································································································· 70
一、廉政主題剪紙··············································································································· 70
二、吉祥瑞福剪紙··············································································································· 90
三、景觀古鎮(zhèn)剪紙············································································································· 118
參考文獻(xiàn)·························································································································· 134
剪紙又叫刻花、剪花、紙花、紙樣等，是運(yùn)用剪刀或刻刀在紙上進(jìn)行鏤空剪刻的一種民間藝術(shù)形式，也是我國(guó)傳統(tǒng)文化中鄉(xiāng)土氣息最濃、群眾基礎(chǔ)最深的民間藝術(shù)之一。
鏤刻藝術(shù)產(chǎn)生于新石器時(shí)代，通過(guò)在獸皮、樹(shù)葉、樹(shù)皮等材料上進(jìn)行鏤刻藝術(shù)加工，表達(dá)人類最初的審美情感。從商代開(kāi)始有人用金銀箔、皮革或絲織品進(jìn)行鏤空刻花制作裝飾品，這些裝飾物，雖然不是真正意義上的剪紙，但在刻制技術(shù)和藝術(shù)風(fēng)格上，可以說(shuō)是剪紙藝術(shù)的雛形。
西漢時(shí)期，人們用麻纖維造紙，傳說(shuō)漢武帝的寵妃李氏去世后，漢武帝思念不已，寢食不安，于是請(qǐng)術(shù)士用麻紙剪了李妃的剪影為其招魂，這大概是最早的剪紙。公元105年，蔡倫發(fā)明造紙術(shù)，隨著造紙術(shù)的發(fā)展和普及，為鏤花藝術(shù)形式提供了簡(jiǎn)易的制作材料，從而誕生了剪紙藝術(shù)。盡管剪紙藝術(shù)發(fā)展至今已有兩千年的歷史，但由于紙張不宜保存，目前有據(jù)可查最早的剪紙是 20 世紀(jì) 60 年代，在新疆吐魯番盆地的阿斯塔那古墓群中，發(fā)現(xiàn)的南北朝時(shí)期的對(duì)馬團(tuán)花剪紙（見(jiàn)圖1-1）和對(duì)猴團(tuán)花剪紙（見(jiàn)圖1-2）。這兩張團(tuán)花剪紙都采用麻料紙折疊剪刻，成為我國(guó)剪紙發(fā)展歷史中最早的實(shí)物佐證。
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